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THREE:
One morning, when Gregor Samsa woke from troubled dreams
THREE:
One morning, when Gregor Samsa woke from troubled dreams

THREE:
One morning, when Gregor Samsa woke from troubled dreams
THREE:
One morning, when Gregor Samsa woke from troubled dreams

THREE:
One morning, when Gregor Samsa woke from troubled dreams
THREE:Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple tools��clumsy tools��which they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.The sultana's mosque is quite small, of translucent milky-white marble, and close by it is a[Pg 208] red wall, hardly pierced by a narrow window with a stone screen, behind which Shah Jehangir was kept a prisoner for seven years.
One morning, when Gregor Samsa woke from troubled dreams

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ONE:"Dog! traitor! cruel wretch! eater of meat!��"

THREE:The draught-oxen all had their horns painted[Pg 134] in gaudy colours, generally one horn blue and the other green.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:In front of us were men loaded with bundles or with children; old women gasping as they leaned on long staves; chattering women with green or pink or white veils, their arms full of sheaves of flowers. By each little temple��between which there are[Pg 71] kiosks, sheltering innumerable grinning idols��trees grow, and under their shade the pilgrims break the climb with a short rest. In a palankin, carried by two men, a slim woman's figure was borne past, in a pink gauze dress spangled with silver; her feet and hands, beringed with silver and gold, were exquisitely delicate. For an instant her veil blew aside, showing her face, rigid with horrible white leprosy, only her almond-shaped black eyes��beautiful eyes��were alive with intense brilliancy, full of unfathomable woe.The Jumna Musjid, in the middle of the bazaar, is a reminder of the mosque at Cordova. A thousand[Pg 63] unmatched columns stand in utter confusion of irregular lines, producing a distressing sensation of an unfinished structure ready to fall into ruins. Every style is here, and materials of every description, brought hither��as we are told by the inscription engraved over one of the lofty pointed doorways��from the temples of the unbelievers destroyed by Shah Mahmoud Bogarat, the taker of cities, that he might, out of their remains, raise this mosque to the glory of Allah. In the centre of the arcade a large flagstone covers the Ja?n idol, which was formerly worshipped here; and my servant Abibulla, as a good Moslem, stamped his foot on the stone under which lies the "contemptible image." Some workmen were carving a column; they had climbed up and squatted balanced; they held their tools with their toes, just chipping at the marble in a way that seemed to make no impression, chattering all the time in short words that seemed all of vowels.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:From Lahore hither is an almost uninterrupted series of encampments��English and native regiments established in huts in the open fields far from every town, close only to the railway line. At one station a detachment of Indian guards were drawn up, and Abibulla declared from the number of men that they must be expecting a general at least; but nothing was discharged from the train but some cases of rupees, checked off by two English officers, and then carried to the barracks under the escort of sepoys.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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FORE:

FORE:The actors spoke their parts like lessons, with a gesture only now and then, and invariably wrong;[Pg 229] and they all spoke and sang through the nose in an irritating voice pitched too high.PALITANA

FORE:

FORE:In the city, which is swept and cleaned till it is hard to believe oneself among Hindoos, there are six hundred tanks, for the most part stagnant, in which the natives wash themselves and their clothes. Round others, which are gradually being appropriated to the use of the residents, and all about the houses, bamboos are planted and "flame of the forest," covered with enormous red star-shaped blossoms as solid as fruit, and trees curtained with creepers of fragile growth��one long garden extending almost to the bazaar.All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.

FORE:[Pg 25]From the roof, consisting of terraces between cupolas, there is a view of many temples glorified in the golden sunset, and nearer at hand stand ten[Pg 123] imposing columns, very tall��the last remaining vestiges of the rajah's elephant-house.

FORE:And for an hour as we drove along towards Amber, the old town deserted in favour of modern Jeypoor, the same succession of temples wheeled past. The crenated walls enclose three hills, one of them crowned by a fortress, to defend erewhile the white palace mirrored in the waters of an artificial lake.The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.

FORE:The men are paid as much as two annas (one penny) a day. The women earn ten, seven, or three[Pg 195] cowries (shells at the rate of about 190 to the anna) for each basket-load, according to the distance, and could make as much as an anna a day. But each of these toilers had to support many belongings who could not work, and squatted about the camp in their desolate and pitiable misery. And the food was insufficient for any of them, only hindering the poor creatures from dying at once.

FORE:At Srinagar you live under the impression that the scene before you is a panorama, painted to cheat the eye. In the foreground is the river; beyond it spreads the plain, shut in by the giant mountains, just so far away as to harmonize as a whole, while over their summits, in the perpetually pure air, hues fleet like kisses of colour, the faintest shades reflected on the snow in tints going from lilac through every shade of blue and pale rose down to dead white.

FORE:At a goldsmith's I stood to watch a native making a silver box. He had no pattern, no design drawn on the surface, but he chased it with incredible confidence, and all his tools were shapeless iron pegs that looked like nails: first a circle round the box, and then letters and flowers outlined with a firm touch that bit into the metal. He had no bench, no shop��nothing. He sat at work on the threshold of his stall, would pause to chat or to look at something, and then, still talking, went on with his business, finishing it quite simply at once without any retouching.A salesman of whom I had bought several things, wishing to do me a civility, called a tom-tom player, who was to escort me home rapping on his ass's[Pg 215] skin; and when I declined very positively, the poor man murmured with a piteous, crushed look:

John DoeArt-Director

ONE:In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.